The Words I Sing

I have a song stuck in my head. And it’s glorious.

It’s been quite a while since that’s happened. Actually, I think it’s been a year.

The weekend of March 21/22 last year was the first weekend our parish was closed to the public because of the coronavirus pandemic. It was a solid three months before public Masses resumed. We still can’t sing in groups here or invite the assembly to sing. The hymnals are still stacked on tables in the parish library, which is still closed to the public.

Music at Mass for the past nine months has basically been walking music: hymns for the entrance procession, preparation of the gifts, Communion, and recessional. And we sing the Gospel acclamation. We have a cantor and accompanist, and we’re singing behind plexiglass shields, far away from each other and anyone else.

We haven’t been singing the Responsorial Psalms. The lector simply reads those.

But starting at this year’s Easter Vigil, we’ll be singing the psalms again.

Psalms are a challenge for the cantor, because they’re a whole new song you basically sing as a solo (so you have to get it right, since there’s no one to cover your mistakes), and sometimes you won’t sing that particular one again for another three years. They’re not like a new hymn you’ll sing several times within a liturgical season and get to know quite well.

For some weird reason known only to the music director, whenever I’m one of the singers at the Easter Vigil, I’m assigned the Exodus 15 psalm: “Let us sing to the Lord; He has covered Himself in glory.” A couple of years ago we got the Spirit & Psalm arrangements for the psalms and learned those; they’re more guitar-friendly than Respond & Acclaim. Since we don’t have enough organists or pianists to cover all the Masses at our parish, that option is a welcome one.

Some psalms are more difficult to learn and sing than others. Sometimes there are a lot of syllables stuffed into a short musical space. That’s what happens in verse 4 of that psalm for the Easter Vigil:

You brought in the people you redeemed
and planted them on the mountain of your inheritance
the place where you made your seat, O LORD,
the sanctuary, LORD, which your hands established.
The LORD shall reign forever and ever.

Five lines, but only four musical phrases. That “mountain of your inheritance” seems pretty insurmountable when you’re tripping over the syllables. And the Easter Vigil is less than two weeks away.

On Saturday I had a rare opportunity to be alone in the house, so I grabbed my copy of the psalm and headed for my little keyboard, where I belted out the refrain and stumbled over the verses a few times, worrying because the Easter Vigil is less than two weeks away and I don’t want to mess this up.

I practiced it so much that, while I still don’t have it right, I do have it stuck in my head.

Sunday morning when I prayed Liturgy of the Hours, as soon as one of the psalms contained a word or phrase that’s also in the Exodus 15 responsorial, my brain immediately switched to Easter Vigil mode.

I had to keep dragging myself back to the right words.

As I prepared and ate my breakfast, Exodus 15 was running through my mind.

But I’m not irritated about it. I’m grateful.

My last Easter Vigil was two years ago. We had many musicians and singers, all there to make a joyful noise. We had a Baptism that year, so we did all the readings and all the psalms. We made so much joyful noise that our voices were tired before the Communion hymn. And most of us showed up the next day to do it all again.

It was good.

Last Easter our parish had livestream issues (the technology was still new and frequently hiccupped) so we didn’t even get to see the whole Mass; we finally were able to view the stream from a neighboring parish.

And here we are, a year later, slowly adding back music to Masses where we can’t invite the assembly to sing with us — because they have no hymnals (who knows when the bishop will let us bring those back?).

People wave at us on their way out as we seize the opportunity to sing more than one verse of something, flashing a thumbs-up since we can’t see them smiling behind their masks. Some have stopped us in the parking lot to thank us for providing even the little bit of music we have, because “it makes things feel normal.”

All that to say: it’s been a long time since I’ve had a psalm stuck in my head because I’m learning it for Sunday.

Easter is coming. Easter music is coming. More music is coming.

And there will be great rejoicing.


Copyright 2021 Barb Szyszkiewicz
Photos copyright 2021 Barb Szyszkiewicz, all rights reserved.
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Harmony where there isn’t any

harmony
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In my parish, the music ministry uses three Mass settings: one for Advent and Lent, one for Christmas and Easter, and one for Ordinary Time. This is only the third weekend for us to settle back in with our Ordinary Time settings.

During the “Gloria,” I heard one of the other musicians in our group singing the beginnings of a harmony line. It sounded good, and after we finished singing I whispered to him to let him know that.

“Thanks,” he replied. “I like putting harmony where there isn’t any.”

Once the congregation is secure in singing the melody for a new song, we musicians feel comfortable adding harmonies. If there are enough of us to carry the melody, we’ll layer in two or three harmony lines. It’s fun to do, and it adds to the beauty of the music.

But there’s more to harmony than that. When you add harmony where there isn’t any, you put your own stamp on the tune. You place your individual gift at the service of the whole. By itself, harmony doesn’t work. There needs to be melody, and that melody needs to be strong. Done right, the harmony behind that melody won’t overpower it, but will instead support it in sometimes undetectable but undeniable ways.

Inventing harmony involves listening, creativity, and courage. If you don’t know where the melody is going, you can’t harmonize. You have to hear the music, then imagine another dimension to it. Then you have to take the big step of singing what you hear.

It’s not just about music. If everyone takes the melody part in life, the music is boring.

Where can you put harmony where there isn’t any?

harmony
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Copyright 2019 Barb Szyszkiewicz