It’s October and I’m listening to Christmas music! I love Unsung Noel, a new album from Jonathan Cain of Journey (yes, the ’80s band). The music is definitely contemporary, but it’s also very devotional. It’s refreshing to hear religious Christmas music from a mainstream rock artist — normally you’d expect songs all about winter and snow and mistletoe, not songs with lines like “[The Savior’s] birth has changed our lives.” 10 of the 14 tracks are songs written by Cain, and they are beautiful, reverent and joyful.
While I enjoy those familiar carols, new Christmas music that celebrates the Savior always draws me in. These songs have a sound all their own — this is not “Journey Sings Christmas.” Cain is backed by the Grace Nashville Church choir on two of the tracks, but this is very much solo work. I’ll be listening to this frequently as Christmas draws near.
Does it strike you as strange to think about worship music centered on the theme of work? The Porter’s Gate, a collective of musicians featuring Audrey Assad and many others of varying Christian denominations, recently released Work Songs, an album of 13 modern hymns centered on affirming vocation as an integral part of a life of worship.
I don’t consider this music something that could be used at Mass (it’s really not suitable for assembly singing), but it’s beautiful for use at retreats or prayer services. One of my favorites from the album, which features quite a few different musical styles, is “Ever Mother Every Father” with Audrey Assad.
At once joyful and meditative, the music on this live album is definitely worth a listen.
Copyright 2017 Barb Szyszkiewicz
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